From "The Memoirs, Chapter Ten":
... Then, of course, Columbus Day
was approaching as it does each year, and we remembered our spectacular third place winner,
“Queen Isabela Gives Her Jewels to Columbus” parade float from the
year before. We had to do something even bigger this year! We
decided to build a replica of the Santa María itself, the grand ship
which brought Columbus to America. I sketched it up.

After the whole big
rocket ship interior, of course we could build the Santa María!
This year, instead of a grape trailer, which needed a car to pull it,
we wanted to look like a professional moving float, gliding down the
street on its own power. We rented a large flat bed truck and
parked it in front of Vicksburg Street and began our cardboard
construction. Over the cab we built a sharply raked fore deck and
out the back another raised aft deck, with the truck bed itself as
the main deck of the ship. Covered in cardboard paneling, with
small port holes for the driver to see, towering masts and sails

We wanted a float this year that
would hold everybody! We could all ride on the float and
nobody had to walk all that way along side. Our trusty crew
dressed in their finest pirate drag and had a ball!



Even Dale's kids, below, got to ride on the float.
(Juvenile pirates?)

That year it was decide that I would
play Columbus (Gee! I wonder who thought of THAT?)

We all climbed aboard and got ready
to sail.

And strapped precariously under the protruding prow was our own Bermuda
Schwartz as the noble masthead in flowing drapes, hands clasped in front of
her, gazing toward the Heavens and a New World! It was the first of
many uncomfortable positions she would fill on our many floats to
come.

That year Russell would portray Columbus' personal Bishop, kneeling in prayer
at my side.

It was a real crowd pleaser again and, again, we won
THIRD PLACE in the parade. I was beginning to suspect that with
enough extras and costumes and team spirit and enthusiasm, we could
get us a third place with anything.

* * *
One of the requirements
of the floats and other entries in the parade was a strict height
limit which permitted the parade to pass safely under the electric
trolley lines which ran throughout the city. It was something like
16 feet. Well, of course, we wanted our masts and sails to be much
taller than 16 feet and so devised a clever system of pulleys and
hinges which permitted our masts to lower at each approach to the
electric wires overhead and then to rise up again after. The ship
was covered with lots of extras in various pirate costumes and so
there were plenty of hands on deck to do the heavy raising and
lowering. Unfortunately, we soon discovered these electrical wires
crossed the street sometimes three to five times PER BLOCK! The
sails were going up and down constantly, and though it all made
quite an impression on the crowd, it gave our big old cardboard ship
the look of slowing leaping and plunging down the street. There
were some pretty tired looking pirates by the end, I tell you.
* * *
At the end of the
parade route, the "Santa María" pulled up to the first bar we came to
and we all went inside to refresh the poor, worn-out pirates and
generally celebrated our big win. At some point, some traffic
necessity outside required that the float to be moved slightly
forward. While we all continued our beers, Kevin jumped in the cab
and pulled forward about half a block. Unfortunately, no one
remembered that our masts and sails were left fully extended and the
proud, old ship went ripping down the street! Well, the "Santa María" may have
looked like a heap of cardboard and masking tape, but in reality it
was built strong! The masts held and the overhead electrical
and telephone wires came
popping out of the adjoining walls and buildings. Kevin came
rushing back to the bar, shouted “Drink up, guys!” and we sneaked
back to Vicksburg Street with the masts lowered, quickly
dismantled the float and never knew how many homes had lost their
services on that quiet Sunday afternoon in October of 1975.
* * *
...NEXT: THE STUDIO MURALS |