October, 2007
Dear Friends and Readers,
I received a lot of nice comments about my little tribute to
Priscilla Alden last month and I appreciate them a lot. You might have noticed I’m moving it
all over to Priscilla’s own new entry on my Encyclopedia of Images.
I feel good about it.
Then too, I thought I would let you know there’s another fond
remembrance taking place now in Oaxaca. “Chucho” Valle, one of the
foremost actors in our Teatro Vivo de Oaxaca, a well-known figure
in Mexico and a great friend to all of us, died last week. We made some signs and masks and did
a little “performance” at his wake. He stared in many of our plays,
including, below, “Luto, Flores y Tamales,” in a great photo by
Russell which was used as the poster for the show. We're thinking
fondly of our Dear Chucho.

Then just the other day, the Mexican Supreme Court ruled that the
armed forces of Mexico cannot discharge a soldier for being HIV
positive. Wow!

And HOW ABOUT THIS? Our very own “Gay TRI” soccer team is going to the
“Gay World Cup” in Buenas Aires, Argentina! Good luck, guys!

Here they are celebrating a goal over London! In the end, they
didn’t win many games but as LA JORNADA reported, they all won great
victories over discrimination and homophobia! Congratulations,
Team!

Then my wonderful sister Janet included, in a recent E-mail, two
photos of her classroom in the Junior High in Madera, California,
where she teaches, among other things, art to young kids. She’s
mentioned her students are almost all young Mexican girls. I’ve
placed the two side by side and am quite pleased to be used as an
art teaching tool for those kids, as well as flattered to find myself in
such good company, don’t you think?

"Shading" is important,
kids, as is "contour" and "texture," illustrated by my sketch of an
impossible black pottery jar, my little study of a Michelangelo
youth, a Bauhaus desk lamp from Berlin, my hunky, black boxer, my
little Prague sketch of “defenestration” and my nice big drawing of
the arches in a Mexican church.

Of course, I hope the
kids don’t confuse me with Calder, but I perhaps the Pat Nixon San
Clemente Rose will clear up any minor mis-labeling. E-hem.

Thanks again, Sis!
And I’m sure I mentioned that I’m always worried about putting too many
pictures on my site and filling up all
the space allotted to me on the server and the other day I said, again, to
my wonderful techie who runs the server here in Oaxaca, I said,
Chucho, I’m really putting a lot of stuff up on my site and I hope
I’m not using up all my space. And he said, again, Oh, for crying out loud,
Bill (or the Spanish equivalent), I’ll send you the goddam graphic
and you can see for yourself! I said, thank you.
So he sends me this little graphic which he printed out from the big
main server.

Like, WOW! It turns out I’ve only used up some twenty percent of my
space! I called him right up and told him I loved him madly. He
said, we’ll talk.
So, gang, there’s plenty more room and I’ll keep going on this end
and you all keep sending me all those great stories and “jpeg”
photos and we’ll get ‘em up, OK? Good.
Finally, I’d like to announce the coming soon of the latest big AAA /
Teatro Vivo de Oaxaca Production, the Sixteen-Part Photo Tableau of
Samuel Beckett’s "Happy Days," with: Acting Director
Sergio Santamaría, Photographer Ayax Cruz, Script Consultant s k dunn,
and starring as "Willie," Stan Gotleib and as "Winnie," (did you
guess?) Bill
Wolf.
COMING TO YOUR FAVORITE INTERNET SITE REAL SOON!

AAAAGHK! But enough. I’ll “p.s.” you a list of the new stuff
from this month,
if anybody’s got LOTS of time on their hands, but for now I'll just say:
I love you all,
Your friend,
Bill Wolf
* * *
P.s. Here goes: ALL NEW THIS
MONTH!
On my growing “TIME-LINE” you’ll
find:
Billy King’s THE BIRTH OF A CHEVY,
Radical Theater Week in Seattle, 1969
The shooting of THE PAGAENT OF
SALVATION promotional tableau, 1974
The filming of ROCKET TO MARS, 1975
The WORLD PREMIER OF ROCKET TO MARS,
1977
Our wonderful GETSTETNER MACHINE,
1977
Bill Wolf’s SALUTE TO THE 70’s,
1979
The first campaign of TOMMY FOR
SCHOOL BOARD, 1980
The unforgettable Walk-In Tableau,
CRIME OF PASHION, 1982
My limited edition book, NEW
ARCHITECTURE, 1982
Jin Neu and s k dunn’s New York
production of MUTUAL NARSISSISM, 1984
That light bit of “flier art,” 49er
FOLLIES, 1985
The Napa Valley Theater Company’s
HAPPY DAYS by Samuel Beckett, 1985
My paintings and drawings in the
LAB GALLERY SHOW, 1987
The AIDS Emergency Fund’s HUG-A-HUNK
BOOTH in the Dory Alley Fair, 1989
My male nude paintings show, HOT
FROM MEXICO, St. Louis, Missouri, 1995
Dino Castro’s great show, INTERPRET
MY SILENCE, 1996
Our touring, didactic drag show
musical, LAS INTREPIDAS VS. SIDA, 1997
And just last year, Diana Ricci’s
powerful VOICES OF THE WALLS, 2006
YOU MAY HAVE NOTICED:
At the bottom of each page in the TIME-LINE you can choose to go to
the "NEXT" and go to the next entry on the time-line. In this way you can sort of "surf" through the
years. At any time, a boring couple of years, for example, you
can choose "BACK TO THE TIME-LINE MENU" and pick it up somewhere
else.
Then too, you might like to notice
a bunch of new images in Chapter 9, PORNOS, PORNOS, AND MORE PORNOS
(!), in my “Memoirs,” as well as my regular batch of newly
“Un-Sorted Images” below “Z” in my “Encyclopedia of Images.”
Check it out and tell ALL your
friends!
* * *
And finally, you know how I like to
take a quick look at the “search-engine-keywords”
successfully used to find my site. Successful keywords during the month of
September included, among others:
Tableaux Vivant
Pirate Ship Parade
Superwoman – Ms. Magnificent
Priscilla Alden
Blackglama ads
Judy Whitfield
Getstetner
Finoccio’s
Captain Pissgums
Steve Rehn
Steven Matlaga
Desiree Cousteau
Amores Criminales de
las Vampiras Morales
Marge Rooney
Buster and Me
Karolyn Kiisel
Virginia Woolf
Thabo Sephuma
Foreskins
Carol Doda
Josh Koral
Lawrence Sanders
Triple Dick
Old 70’s pornos (I don’t know if I
appreciate that adjective which our reader somehow felt would
facilitate finding my site. E-hem.)
Later!
* * *
P.p.s. And today, October 9, is the
fortieth anniversary of the assasination of Cuban fighter Ernesto
Che Guevara. LA JORNADA ran a special insert on the
revolutionary hero as leaders around the world paid him tribute.

It's a good time to take a look at the beautiful,
complete roll of
film by Mexican photographer, Rodrigo Moya, in my Encyclopedia of Images.
* * *
P.p.s. - Some people decry all the
graffiti we have here in Oaxaca, which never seems to get painted
out, except the political writings, of course. It doesn’t really
bother me. I take it as part of the urban landscape and
occasionally there's something eye-catching, especially the stencils,
now much favored by the kids. Some are quite good; a wonderful
George Bush was up for a while, with Mickey Mouse ears and swastikas
for eyes.
And a couple blocks
from our studio is a great Audrey Hepburn in “Breakfast at Tiffany’s”
of which I’m particularly fond. My friend Diana Ricci and I walked
over and took her picture the other day. I feel great; way
down here in southern Mexico, that Holly Golightly still gives me a
wink every day!

I think I’ve mentioned,
I’m proud of our little theater group here; from the beginning of
the “resistencia” against the government last year, our Teatro Vivo
has been in the front lines, with contingents in the marches,
performance art in the streets and lots of promotion for the cause.
I think back so many years to our little Ensemble Street Players and
our efforts against the war in Vietnam, performances in the street,
Ferlinghetti routines in Pioneer Square and living tableaux of the
Kent State killings and I feel a kinship with the movement here and
all the good fights against injustice in this world.
Sergio’s latest brainstorm that he’s coordinating with the kids from
APPO is to rename all the streets of Oaxaca, especially the big four-lane
highway around town, “Avenida de la Resistencia.” Good idea,
Sergio!
I said I’d paint the
first freeway sign.
And I remember Miss
Jacobson, my high school art teacher, for whom I was always
something of a teacher’s pet, and all she taught me. At our high
school, like most, I guess, the sports department was far more
important than the art deprtment, of course, and it was natural that
the team football coaches could demand from the art department lots
of big signs and banners for the Friday night games saying “GO
TEAM!” and “WIN SANGER APACHES!” and things like that. Well, Miss
Jacobson hated it, of course, and tried to get it over with as soon
as possible. She would say, “Here, Bill, do this,” and instruct me
in painting big, straight letters on rolls of butcher paper and “run
it over to the gym as fast as you can!”
I whipped out the above
freeway sign in about twenty minutes. Thanks again, Miss Jacobson.
* * *
...LAST MONTH'S LETTER